Category Archives: Now and Then We Time Travel

An odd but satisfactory week (#SFWApro)

It wasn’t anywhere near as odd as Clark Kent’s dilemma (cover by Curt Swan, all rights remain with current holder). Just disjointed. I got the basics done for a Screen Rant list on Flash but I’m going to wait until closer to the S4 premiere to finish it. By the time I found that out, I had to hustle to draw up a different list … but I was told (correctly, I think) that it needs much more work to be interesting to SR readers. So I wound up not getting one done, which feels very strange after doing them so regularly for several months (I have skipped weeks but by design, not chance).

Screen Ranting aside, I did get quite a bit done

•I finished my work on the Leaf articles. That project is wrapped up, so it’ll be much more fiction the next few weeks (yay!). Though I’ll be ready if they tap me for another gig.

•I rewrote A Famine Where Abundance Lies and sent it out. I also sent out The Glory That Was.

•I almost sent out The Schloss and the Switchblade again, then I realized I need to rewrite it. In the current political climate someone who discovers a con apparently catering to Nazis isn’t going to be as surprised as when I wrote it last year. I got a first rewrite in but I’m really annoyed I have to do it at all. Thanks Trump for all the enabling you’ve done for white supremacy!

•I’m up to 18,000 words on this draft of Southern Discomforts, which is cool. And I think all the scenes I’ve done so far are much improved.

•I began work on replotting the last third and found (I think) the problem. The plot hinges on Gwalchmai kidnapping Joan, one of the lead characters, and using her life to force Olwen to surrender. The trouble is I’ve set it up as “surrender by time X or she dies” and it really doesn’t make sense. He wants things over and done, so it’d be more likely “surrender now.” So maybe he has no reason to kidnap her … but in that case what does he do? What ratchets up the tension and pushes everyone to struggle to stop him? The answers are not coming yet, but I think I’m asking the right questions.

•I got four more chapters of Undead Sexist Cliches done. Two of them are new and rough so they’ll require more tinkering than the rest, which are on their second draft (or third if you count the original blog posts).

I also received a review (via my publisher) from some German magazine for Now and Then We Time Travel. The English translation is very awkward, but I think their assessment is “impressive breadth, needs to be deeper.” But I could be wrong.

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Filed under Now and Then We Time Travel, Personal, Screen Rant, Short Stories, Southern Discomfort, Story Problems, Time management and goals

From a one-eyed musician to a time-traveling spy: movies viewed (#SFWApro)

KUBO OF THE TWO STRINGS (2016) is an excellent animated fantasy in which the eponymous one-eyed pre-teen discovers he’s actually descended from the Japanese gods. Unfortunately, the rage grandfather Ralph Fiennes felt over his mother marrying a mortal (Charlize Theron and Matthew McConaughey respectively) has now descended on him full-force. Great to look and completely absorbing; Rooney Mara plays an ominous auntie. “If you’re going to blink, do it now.”

The Korean film MOTHER (2009) is a too-familiar crime drama in which a mother struggles to prove her mentally handicapped son didn’t murder the woman he was out with last night. I gave up on this one midway through — not really bad but nothing that demanded my interest either.

COME BACK TO ME (2014) has a young woman trying to make sense of her night terrors by videotaping her room at night, only to discover her weirdo teenage neighbor is using his death-cheater powers to kill, rape and resurrect her night after night. One I think I watched partway through while working on Now and Then We Time Travel but stopped after I was satisfied the protagonist’s issues weren’t time-travel related. I can’t say watching the whole thing adds anything to my wellbeing.

DIMENSION 5 (1966) is the Bond variation in which “Espionage Incorporated” agents  Jeffrey Hunter and Frances Nuyen use their time-travel belts to stay one step ahead of Chi-Com spymaster Big Buddha (Harold Sakata) while thwarting his plot to nuke LA unless the US pulls out of Southeast Asia. What makes this distinctive isn’t so much the time-travel element but how limited our heroes’ use of it is — a kind of crystal ball (see Big Buddha’s next move and counter it!) or make a fast escape from a danger zone, rather than, say, going back after a defeat and fixing things. Though as you can see, the poster plays up that as the distinctive angle, along with Nuyen’s looks and the presence of Goldfinger brute man Sakata (clearly they thought they’d grab more eyeballs than Hunter). “You can always quit and raise coconuts.”

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Time-travel love stories: some recommedations (#SFWApro)

Continuing with my recommendation for time-travel movies other than the ones every “Best” list recycles. Which is why despite its charms, Somewhere in Time isn’t on this list of love films  — that’s one everyone knows. And yes, I should have written this for Valentine’s Day, my bad.

209007_1020_AQUEST FOR LOVE (1971) is a personal favorite. It’s schmaltzy as hell and has the implausible Exact Double resolution but even so. Brilliant physicist Tom Bell is hurled into a parallel world where he’s a famous playwright (WW II never happened, JFK is alive and running the League of Nations, Everest hasn’t been climbed, to name other divergences). He’s also a complete douchebag whose wife, Joan Collins (and lord, was she gorgeous back then) despises him — can Bell convince her he’s a different man now? And even when he does, all is not well … “If the time we’ve spent together is all there is, it’s been enough.”

Molly Ringwald’s TWICE UPON A TIME (1998) has her as a frustrated business woman — didn’t get the promotion, wishes she’d married her baseball-star ex-boyfriend, tired of her beta-male beau — plunged into an alternate world where women executives bond over power croquet games, her mom is alive (better cancer treatments) and she did marry the ball player. By the end, of course, she realizes where her heart lies and it’s not with him … not an A-lister, but fun, and I like that Ringwald’s selfish parallel-world counterpart wants to get home just as much as Molly-One does.

FAMILY MAN (2000) is an excellent Nicolas Cage film in which angel Don Cheadle shows him the parallel world where he married his college sweetheart (Téa Leoni) and became a tire-store manager and yes, family man, instead of a corporate shark. Well done, charming and extra points for acknowledge the Leoni in the original timeline is not going to be the same person as the alt.version.

ME MYSELF I (1999) is an Aussie movie with Rachel Griffiths going through the Family Man experience. It’s fun too, mostly because of Griffiths’ strong performance in the lead.

11 MINUTES AGO (2009) has a time-traveler from the future (Ian Mauro) crash a wedding party in the course of gathering some samples for his research. Oddly, everyone remembers him from earlier in the evening, but why would he have come back there again when it takes so long to prepare for a time jump? Then he meets Christina Mauro, who remembers him very well indeed, and he starts to understand … I found this charming, but my sister and our best friend hated it, so fair warning.

HAPPY ACCIDENTS (2000) stars Vincent D’Onofrio as a time traveler whose come back from his dystopian future to win the heart of Marisa Tomei. She thinks he’s crazy with all his time-travel talk, but they can make this work, right? She hasn’t just fallen for the wrong guy again … has she? D’Onofrio does a great job as someone just slightly out of synch with the way people are supposed to behave in our time.

IL MARE (2000) is the Korean film remade as the Sandra Bullock/Keanu Reaves The Lake House, and I think I prefer it (though I do like the remake too). As in the later film, two people living in the same house two years apart discover they can send mail to each other, fall in love, and try to arrange a meeting. It appears, at the climax, that everything’s gone horribly wrong, but is it really too late?

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I rode myself hard and hung myself up—wait, does that sound right? (#SFWApro)

It was a week that did not go as I planned.

I submitted my first Screen Rant article, and then my second, but they both took way longer than wanted. And that required really pushing myself, hence the title. I need to trim the time down, and I need to relax and have more fun with the writing too. I love comics, which makes it easy; I’m working under a tight deadline and specific format requirements which makes me veer serious. I did better with the second one though (I’ll post a link when it’s up), so hopefully next week will be better yet.

I have my History article on tractors 80 percent done, and I should be able to get it out next week. So yay!

And I started indexing Sex for Dinner, Death for Breakfast for a Createspace edition. If I’m going to go hard-copy, it should have an index. Annoyingly, I found one minor error in the intro, so I have to correct the ebook too. I’ll wait to see if I find any more — indexing is good for that.

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But I got almost no fiction written, which is not yay. That’s happened before and not that long ago — back last year when I was wrapping up Now and Then We Time Travel, for instance. However, I don’t want to be doing that now, if I can help it. I enjoy nonfiction (obviously. I’ve written enough of it), but fiction is the reason I write. And I do want to get two more drafts of Southern Discomfort in this year. So like I said, I’d better get more efficient.

I am pleased that despite the rush to finish up Screen Rant #2, I made time for essential stuff like exercise, and making sourdough bread while the dogs were in doggy day-care on Thursday. It’s important not to let even demanding deadlines roll over normal life, if I can possibly help this (and if I want to do Screen Rant regularly, I have to help it). I was sufficiently rushed I forgot adding the salt to the dough (sourdough buckwheat bread) but that’s easy to fix with a little salt sprinkled on each slice. It’s an easy mistake — I’ve done it before when I was rushed.

I’ll close with a shot of some dead leaves I took this week. It symbolizes … well, whatever you want. Free symbol! Please credit me if you want to use it.

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Filed under Nonfiction, Now and Then We Time Travel, Sex for Dinner, Death for Breakfast, Southern Discomfort, Time management and goals, Writing

More time travel films that don’t get recommended a lot (#SFWApro)

As I mentioned the last time I posted on this topic, Best Time Travel Film lists simply recycle the same selections over and over. So as a new-made expert, I’m broadening the list a little.

CRUSADE (2006) has a frustrated young man use his mother’s experimental time machine to travel back to the Children’s Crusade (which also figured in the anime Sins of the Sisters). He tries to save lives as he travels with them (using his knowledge of basic first aid, quarantine, etc.) though he’s worried that by keeping the crusade going, more kids will end up dying or enslaved (it didn’t end well). The protagonist’s pragmatic approach — no worries about time-tampering, just helping people when they’re in trouble — gave this a different feel than most time journeys.

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TOMORROW I’LL GET UP AND SCALD MYSELF WITH TEA (1977) is a delightfully goofy Czech comedy in which aging Nazis in a utopian future conspire with a time-travel pilot to go back and give Hitler a suitcase nuke to turn the tide of the war. Only everything goes wrong, starting with the pilot dying and getting replaced by his identical twin … I love this one, which is available subtitled on YouTube (all rights to image reside with current holder).

THE GRAND TOUR (1992) has Jeff Daniels coming to realize the strangers staying at his hotel are bored time travelers visiting the present for the thrill of watching one of the great disasters of history—which is obviously very bad news for his small town. A TV movie based on CL Moore’s Vintage Seasons, this is an ingenious tale with a good character in Daniels’ inn-keeper

TIMESHIFTERS (1999) also has a time-tourism premise but it’s more about action than character. Casper van Dien averts the disasters one tourist is here to watch, changing the future. To restabilize it and restore her time-erased child security agent Theresa Saldana must make sure the next disaster happens without a hitch; as it’s going to kill van Dien’s son, he’s not okay with this. A surprisingly well-done time adventure from the TBS cable channel.

5 DAYS TO MIDNIGHT (2004) was a SyFy (I think it was still SciFi then) miniseries in which someone sends Timothy Hutton a 40 year old briefcase containing a case file about his murder, five days in the future. Can he identify his future killer when so many people around him turn out to have a motive?

SOURCE CODE (2011) has Jake Gyllenhaal waking up on a train as someone he knows isn’t himself … and eight minutes later the train blows up. It turns out that a government counter-terrorist project has projected his mind into the memories of one of the victims so that he can identify the killer by time looping the events — but is it just a memory, or could it be a new reality? I like this, though I should note that both this and the Czech film have a happy ending where the guys pair off with a woman who thinks they’re someone else — for some people that’s creepy rather than romantic (they have a point, but it’s not a point that bothers me if I like the film).

STAR TREK IV: The Voyage Home (1986) is the “save the whales” film in which an alien probe is destroying Earth in its efforts to communicate with the now extinct humpback whales. The Enterprise crew head back to the past to bring back some whales, but find San Francisco in the 1980s takes a lot of getting used to. The most light-hearted of all the films, with the cast playing characters they know well and lots of cross-time humor.

More film recommendations at a future date.

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Fame at last! (#SFWApro)

My friend Chris Manson publishes The Beachcomber back in Florida, and he interviewed me about Now and Then We Time Travel. Coolness.

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If you’re on pinterest (#SFWApro)

So am I. I’m not terribly active, but lately I’ve been putting up a board of time-travel movie posters and stills, to celebrate releasing Now and Then We Time Travel (and hopefully encouraging more people to buy it, of course). Click on the link if you’d like to check ’em out. The sample image below is from 11 Minutes Ago, which I quite liked. All rights reside with current holder.

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